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The Spanish parishioner who achieved global fame for her poorly executed restoration attempt on a valuable religious painting has passed away at the age 94.

The woman, from the town of Borja in northeast Spain, became a global sensation 13 years ago after she attempted to repaint a 100-year-old painting titled Ecce Homo located in her local church.

Giménez's handiwork spread across the internet and earned the moniker "Potato Jesus", because the resulting depiction of Christ's head looking somewhat like a hairy monkey.

Official Confirmation and Homage

The 94-year-old's passing was announced by the town's mayor, Eduardo Arilla, in a social media post, where he acknowledged her as a "great lover of painting from a very early age".

"Rest in peace Cecilia, your memory will live on with us," Arilla wrote.

Arilla further referenced Giménez's "famous restoration of Ecce Homo" in August 2012, which "due to the deteriorated condition it presented, Cecilia, with the best intentions, decided to repaint the work over".

The Painting's History and the Now-Infamous Intervention

The Ecce Homo ("Behold the Man" in Latin) painted by nineteenth-century artist Elias Garcia Martinez had been held for more than a century in the Santuario de la Misericordia near Zaragoza.

At the time, Giménez, then 81, stated that parishioners had "traditionally fixed everything here", and that she had received permission from the local priest to proceed.

She also noted that anyone who entered the Church would have observed she was painting over the original image.

An Unexpected Economic Lifeline

The impact of the repaint job spawned the "Monkey Christ" meme and saw the previously sleepy town of Borja rapidly turn into a major visitor attraction.

The town, which had previously welcomed just five thousand tourists per year, received over 40,000 tourists by 2013, and managed to raise more than €50,000 for charity from the attention.

Currently, local authorities estimate that between 15,000 and 20,000 tourists travel to Borja each year to view the famous portrait, which is now protected by a protective shield of glass.

Later Life and Community Admiration

After recovering from the wave of criticism, with support from the townspeople and others globally, Giménez later stage an art exhibition featuring twenty-eight of her personal paintings.

She was praised by Borja's mayor for her generosity and decades of faithful service to the church.

In the end, what began as a sincere but unsuccessful act of restoration created an unlikely piece of pop culture and brought unprecedented tourist revenue to a small Spanish town.